But I thought his performance in Meet Joe Black was the best work he's ever done. Twelve Monkeys), but for the most part, he doesn't stand out for me. Really a good scene.īrad Pitt is neither here nor there for me. I found it shocking (I had to watch it twice actually) and completely disorienting, especially after that lovely sequence of the two characters looking back and forth at each other as they are departing, but missing each other's glance each time. Some folks thought that the car accident was ridiculously cheesy and claimed people were laughing in the aisles. I read user comments at IMDB yesterday about the film, and I was amazed at what I saw. It seemed that 3 hours was how much time was needed to tell the story no more, no less. Amazingly, though it's 3 hours, it never felt like it was too long. I thought it was a very well-crafted film. It makes all the difference, and the rewards are magical. I later concluded that this is a film that requires the viewer to be patient.to "think" while the story unfolds.and that is the mindset I had that night. One night, channel checking and bored with little to nothing of interest airing, I landed on an airing of "Meet Joe Black." Suddenly, and I DO mean "suddenly", I was mesmerized by the film. Funny enough, the first time I saw it, I considered it a boring bloat with an interesting score. I find it very rewarding with each viewing. You see, I have a soft spot for THE HORSE WHISPERER. I'd criticise the film, but I simply can't talk. Those mournful, almost spiritual strings are the closest he's come to sounding like his dad - maybe that's why I like it so much. I don't like everything that Thomas Newman has done, but MEET JOE BLACK is certainly my favourite.
Meet joe black soundtrack album movie#
Is it too long for some people? Yes, I'm certain.īut it's the fastest three hours of movie I've ever sat through (at least 8 times, thus far). Gorgeous score for beautiful, thought-provoking film. It is indeed a beautiful and haunting score.one of Newman's best. I happen to think it's a wonderful score to a terrific film. I love to hear people discover great Newman scores. Great score for an endless, insipid boreathon. Good movie and the kind of scoring from Newman thats my favorite, lush beautiful strings!! The highlite is the second to last track, I think it's like 9 minutes long. Just ordered the CD and I hope it's jampacked with musical goodness! It served the movie well, and I could hear a bit of influence for his future score, The Good German, especially the love theme. Watched Meet Joe Black for the first time this weekend and was struck by Thomas Newman's beautiful and moving score. General Discussion: Meet Joe Black - Thomas Newman This is an excellent score, an achievement from any composer, and something that ranks up near the top of Thomas Newman's work.FSM Board: Meet Joe Black - Thomas Newman But the score is also quite playful, as on "Peanut Butter Man," where a flute meanders over bouncing strings, and also in the quick, percussive staccato of the middle-eight. Newman skillfully weaves this theme into the rest of the score, and its sweeping sentimentality is flexible enough to be incorporated into other melodic themes, such as the denouement of "Someone Else." For the most part, gentle strings and woodwinds dominate, with gentle piano work reserved for special, heart-tugging moments. As romantic themes go, Newman's ranks as a recent classic that captures both the initial rush of love and also the devastating crush of its leaving. "Whisper of a Thrill," the soaring romantic theme, is a perfect distillation of the film's emotional plot, its yearning melody shadowing Joe Black's (Brad Pitt) love for the beautiful Susan (played by Claire Forlani) and its ultimate futility. His score for Meet Joe Black contains the seeds of beauty that would fully flower on his score for American Beauty, the next film he scored and a high point of his career. As modern soundtrack scores go, the quality can be hit or miss, but Thomas Newman's work is almost always something to get excited about, as evidenced in the Oscar-nominated The Shawshank Redemption, Road to Perdition, and the title theme for Six Feet Under.All tracks have been digitally mastered using HDCD technology.Producers include: Thomas Newman, Bill Bernstein.Original score composed by Thomas Newman.